The world is round
by Gertrude Stein
A long, long time ago, the world was round and you could walk all around it, always all around it. Everywhere was everywhere and nowhere and... then there was Rose. In Gertrude Stein's story, we meet the girl Rose. Together with her dog Love, she embarks on a great adventure. THE WORLD IS ROUND is a poetic, sensitive, philosophical plea about the miracle of life, about identity and about childhood, which must be preserved and celebrated.
Age recommendation: for all ages
Premiere: 29.11.2024, 10:00 am
Supported by JenaWohnen. Thank you.
Dates
No dates at this time.
Impressions
Team
Playing: Thato Kämmerer, Mona Louisa-Melinka Hempel
Director: Kerstin Lenhart
Costume: Cornelia Stephan
Stage: Mirella Oestreicher
Live-Music: Tim Helbig
Dramaturgical Participation: Daniele Szeredy
Movement (Balance and Mast): Luis Lenin Campana Castro
Press & Awards
“The play depicts the journey of discovery of two children – an emotional rollercoaster of feelings that accompany us along the way. The musical accompaniment enveloped me in a sense of wondrous curiosity about life, one that adults do not nurture in the way children imagine it. Is the world truly round?
Thank you for the beautiful performance of this wonderful play.”(Marcus A.)
“As a woman of more advanced age, I felt transported back to my own childhood – or perhaps into the adventurous world of Huckleberry Finn. The world of the child Rose unfolds almost entirely alongside, and independent of, the world of adults. Of course, Mama and Papa are irreplaceable, as are grandparents, aunts, and uncles, yet on the path toward growing up, it is more often the animals in the surroundings that play a role, or a cousin with whom one can dive into an imaginative world of one’s own, or the nearby landscape with its many beloved places: the pond, sandy paths, meadows, a mountain that in ‘real life’ might only be a hill. In between lies the great adventure of coming of age. This touched me deeply. Beyond that, I was absolutely delighted by the two actresses and the musician, but also by the stage design, the costumes, and the witty, bilingual adaptation by Ms. Lenhart. I will gladly recommend this play to others.” (Barbara B.)